Soundtrack of my life, pt. 9: Ann Arbor Folk Festival
![]() Meredith invited me to accompany her to the Ann Arbor Folk Festival last night. She scored seats in the fifth row, which made it that much more exciting. It's an annual event that takes place on two nights, with a diverse and talented set of different musicians each night. For the uninitiated, you can think of it as Ozzfest for folk music aficionados. For us, the evening started out at Seva, a wonderful veggie establishment in Ann Arbor. Following a fantastic meal that was accompanied by Arbor Brewing Company beer, we headed over to Hill Auditorium in the freshly falling snow. The emcee was Jeff Daniels, Chelsea resident turned actor/entrepreneur extraordinaire. Though I knew he acted and sang, I had no idea how talented a songwriter and performer he actually was. His songs range from the serious to the humorous, and he delivers them with both a sense of humor and an expressive, beautiful voice. Continue reading . . . ![]() Meredith invited me to accompany her to the Ann Arbor Folk Festival last night. She scored seats in the fifth row, which made it that much more exciting. It's an annual event that takes place on two nights, with a diverse and talented set of different musicians each night. For the uninitiated, you can think of it as Ozzfest for folk music aficionados. For us, the evening started out at Seva, a wonderful veggie establishment in Ann Arbor. Following a fantastic meal that was accompanied by Arbor Brewing Company beer, we headed over to Hill Auditorium in the freshly falling snow. The emcee was Jeff Daniels, Chelsea resident turned actor/entrepreneur extraordinaire. Though I knew he acted and sang, I had no idea how talented a songwriter and performer he actually was. His songs range from the serious to the humorous, and he delivers them with both a sense of humor and an expressive, beautiful voice. We walked in a bit late, missing the first couple of acts. We caught the second half of Bill Staines, who writes and performs folk music in the age-old tradition with rich imagery and mature, well-developed storytelling in abundance. His songs are beautifully composed with excellent guitar work, and a rich tenor vocal performance. Staine's was followed by Terri Hendrix and Lloyd Maines. Hendrix's brand of folk music leans in the direction of traditional country music, though it never quite gets there, and it steers clear of the standard thematic content (that causes so many to change the radio station) in favor of more spiritual imagery and investigation. For example, the chorus to Hole in My Pocket laments: Show me ways to save my soul,Her accompanist, Lloyd Maines (the father of Natalie Maines of the Dixie Chicks) was one of the finest lap steel players I've ever had the pleasure of hearing live. Paul Thorn was next. The son of a travelling preacher who apparently specialized in tent revivals, he was a surprise smash with his soul-meets-country infused folk songs. A former boxer with the dubious distinction of having been knocked out by Roberto Duran, his interesting path through life bears a clear influence on his songs, which are abundant with irony and self-effacing humor. Over the Rhine was a Cincinatti-based band well-known to Meredith, but I'd never heard them. They were the true gem of the evening for me, and I downloaded their Drunkard's Prayer record as soon as I got home. Folk music, it ain't. Great American songwriting, with fantastic piano, guitar and vocal lines it is. Singer, Karen Bergquist, is a seasoned, talented performer with a strong hint of jazz influence in her technique. Linford Detweiler (the second half of the duo) is a keyboard player to be reckoned with. His sophisticated melodies and carefully crafted harmonic changes reminded me of my experiences as a young man in the studio with Benmont Tench, a Heartbreaker with more talent in his little finger than I have in my entire body. Bergquist's performances and Detweiler's keyboard and guitar parts make these songs memorable both lyrically and melodically. Mountain Heart is a modern bluegrass lover's answer to progressive rock and traveling jam bands. With fiddle, guitar, stand up bass, a mandolin player who's a vet of Allison Krauss and Union Station, and a banjo player whose fretting hand exhibits only a thumb, these guys rocked the house. The joy with which they played was also evident on their faces and in their energetic demeanor. The headliner for the Festival's 30th anniversary was John Prine, who headlined in the festival's very first year. Having won a Grammy last year, he was in great form last night, playing songs both new and old. For his last number, he brought out the entire lineup to sing and play along, receiving a standing ovation far rowdier than Hill Auditorium has likely seen in some time. |


















